Posts Tagged ‘DVD’

Kim Lyons Start Fitness Now: Sit Down And Shape Up 1 Review.

Monday, August 30th, 2010

Kim Lyons Start Fitness Now: Sit Down And Shape Up 1

Kim Lyons Start Fitness Now: Sit Down And Shape Up 1 Review.

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Kim Lyons Start Fitness Now: Sit Down And Shape Up 1 Description:

Today is the day to take back control of your own body! Do you want to get in shape but don’t know where to begin? Do you find other workouts difficult and discouraging? Have you recently been diagnosed with type 2 diabetes? Kim Lyons has collaborated with premier physicians to design a 2 in 1 solution to managing type 2 Diabetes: a physician recommended workout coupled with the luxury of personal training, right where you are sitting! Each of Kim’s 20-minute programs is a great tool in managing obesity and Type 2 diabetes in part because they contain exercises you can do just siting in your chair, free from judgment and self consciousness. Each workout consists of an energizing warm up, a chair workout and a cardio walk that everyone can do with guaranteed results. These workouts are designed for diabetics needing to start a fitness routine, or beginners of any age.

  • Amazon Sales Rank: #39037 in DVD
  • Brand: Kim Lyons Start Fitness Now
  • Model: 898776002201
  • Released on: 2009-06-26
  • Format: NTSC
  • Number of discs: 1
  • Dimensions: .13 pounds
  • Running time: 48 minutes

Customer Reviews:

Title is misleading3
The title says you can Sit Down & Shape UP. I have back and leg problems I thought this was the video for me but a large amount of it is done standing.

Fun Beginner Workout5
I’ve been working out with this DVD everyday for a couple weeks and I really enjoy the routine Ms. Lyons designed. It has been easy on my back and knees. ( There is a special move called the “James Bond” that really stretches my back.) The dread factor is very low. It is great to workout with an instructor who actually seems to enjoy what she is doing and has fun. The one downfall ( maybe an intentional downfall) is that the upper body and lower abs are the focus of the strength training segment of the workout. None of the exercises are for the legs. The strength training segment lasts 10 minutes, and then there is a 10 minute indoor walk.

In all, the video has two 20 minute workouts and each has a great warm-up, strength training routine, walk, and then cool-down. This is a good routine and you feel healthy afterward, not sore and tired like you can’t do anything else with your day activity-wise.( I have felt that way with many workouts.)

About the Actor
Kim Lyons exemplifies fitness. She has been physically active her whole life and continues to excel in motivating others and achieving her goals in the fitness arena. Armed with a staunchly positive attitude and a winning smile, Lyons finds ways to make fitness fun and achievable for even the grumpiest of clients. As a child, Lyons relied on her vibrant personality to make new friends. As the daughter of an Air Force fighter pilot, her family moved every two or three years. Her natural ability to entertain others became an invaluable tool to adjusting to new locations and schools. Lyons was also a zealous and competitive athlete, running track, playing softball and cheerleading while remaining active in several drama and acting groups. Lyons attended Colorado State University, where she graduated with a degree in human development and nutrition in 1995. Shortly after graduating, she took a more serious approach to weight training and taught aerobic classes while pursuing her career path as a commercial pilot. She also graduated from the National Academy of Sports Medicine for personal training and earned several nationally recognized nutrition certifications. Lyons segued into fitness competitions and quickly won national and international titles. In 2002, she eared her IFBB Pro card, marking her place as one of the top fitness competitors in the world. While preparing for one such competition, Lyons severely tore her Achilles tendon, resulting in donor replacement surgery. During her seven-month recovery, she became an accomplished writer and fitness expert featured widely in such magazines as Oxygen, and Muscle and Fitness, and SELF. She has also become one of the industry’s most photographed models and has appeared on more than 30 covers worldwide, and in twice as many interior stories to boot. Lyons has moved to Hermosa Beach to pursue her passion as a full-time fitness professional. She continues to compete on the IFBB Pro circuit while hosting and making appearances at amateur competitions, nutrition stores, and fitness expos to inspire and educate upcoming athletes. When she is not traveling or training, Kim enjoys cooking, studying interior design, and participating in adventure sports.

About the Director
Darren began developing his directing and producing skills with founding Group Theater member Sanford Meisner at the age of 20. He also attended the Neighborhood Playhouse in NYC as well as working for 4 years with Wynn Handman of the American Place Theater. Through his 20 s he produced and directed numerous stage productions at theaters all through NYC including the Obie award winning Cucaracha Theater. He created the award winning film Popwhore A New American Dream and is currently in post production on his latest film based on the fashion models of the 1950 s called titled, The First Supermodels . He has produced and directed numerous fitness productions including recent productions; Skinny Bitch Fitness, Lisa Rinna s Dance Body Beautiful, Start Fitness Now with Kim Lyon from The Biggest Loser, productions for Warner Brothers and Paramount Studios. He is booked on numerous major fitness ventures for 2009 including Kim Kardashian s upcoming fitness DVD venture.

Lillie Discount.

Monday, August 30th, 2010

Lillie

Lillie Discount.

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List Price: $59.99

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Lillie Description:

As seen on Masterpiece Theatre

“Sparkling” —The Washington Post

“Captivating” —The New York Times

Walt Whitman called Lillie Langtry “the essence of poetry.” James Whistler confessed that even he couldn’t capture her beauty in a painting. And George Bernard Shaw declared her “intelligent, daring, and independent.” In a BAFTA-winning performance hailed by critics, the incandescently beautiful Francesca Annis (Madame Bovary, Reckless, The Libertine) portrays the acclaimed British actress and courtesan from the blush of youth to the blight of old age.

At a time when society expected women to be docile and demure, Lillie posed for celebrity endorsements, conducted her own business affairs, and paid her first husband to keep his distance. Even more scandalously, she openly entertained a string of lovers among Europe’s elite, including the very married Prince of Wales—all while managing to win the respect and admiration of his wife. With its splendid cast and exquisite production elements, Lillie vividly captures the complex woman who became one of the most infamous figures of the Victorian age.

DVD SPECIAL FEATURES INCLUDE essay about Lillie Langtry’s impact on pop culture and cast filmographies.

  • Amazon Sales Rank: #34454 in DVD
  • Released on: 2008-02-19
  • Rating: Unrated
  • Aspect ratio: 1.33:1
  • Formats: Box set, Closed-captioned, Color, DVD, NTSC
  • Original language: English
  • Number of discs: 4
  • Running time: 672 minutes

Customer Reviews:

Flawless5
Quite simply, one of the best BBC Classic TV Miniseries ever produced. Filmed in 1978 and to be released in a four-disc DVD set, the miniseries stars the brilliant Francesca Annis (Tommy and Tuppence, etc.) as Lillie Langtry, one of the most famous and infamous courtesans/ladies of the Victorian age.

In an era when women were to be seen and not heard, the unforgettable Lillie broke every taboo without a backward glance. The series chronicles her long life, and in so doing presents one of the best portraits of Victorian England ever filmed.

We watch Lillie as a young tomboy, grow to an awkward adolescent, a stunning woman, and a beautiful old woman. Each stage of her life is portrayed perfectly by Annis, the makeup transforming her body while her awesome talent transforms her character development as Lillie.

Lillie is one-of-a-kind, a calculating woman of immense presence, grace and substance. Unfortunately, she becomes trapped in a loveless marriage, but she devises her own way to cope.

Taking full advantage of her beauty, Lillie deliberately attracts as many as a dozen lovers and admirers including the married Prince of Wales and notorious Oscar Wilde.

As her husband slowly drinks himself to death, she relies on her looks, wiles and self-assurance in the London Society of the 1870s to embark upon a sensational career as a marginally talented actress.

With guile, Lillie creates a truly unique life of the courtesan, eventually gaining prestige by going on the stage and touring America many times over.

Throughout her life she endures financial ruin and scandal, yet maintains her celebrated lifestyle. Because Lillie lives to be a very old woman, viewers are given an honest glimpse of the Victoria Era through the span of her life.

As with every BBC miniseries dealing with period stories, the acting, staging, filming and music is all well above top notch.

A VICTORIAN SIREN…4
This thirteen part Masterpiece Theatre series, which first aired in 1979, is certainly worth watching as it is quite entertaining and well done. Detailing the life and loves of the notorious Lillie Langtry, the Victorian era superstar, it gives the viewer a taste of an era gone by. beautifully acted by a stellar cast, the production suffers only from the unfortunate lighting used in the nineteen seventies, giving the sets and actors a somewhat washed out and flat appearance. That being said, it is still a series well worth watching.

Born on the British isle of Jersey to a womanizing clergyman and his wife, Lillie grew up as a tomboy with a rare beauty. At an early age, she marries Edward Langtry, a purportedly wealthy yachtsman from a shipping family, who takes her to live in Southampton. There, she finds life not to her liking. She soon discovers that her husband has sold her a bill of goods, as his wealth has been spent. After a bout with a serious illness, she contrives a move to London, where she is exposed to a taste of high society. After a false start, she gets noticed by the local swells and becomes a renowned beauty, sought after by all. Now, a fashionable society woman, she finds herself with her name on everyone’s lips. Lillie eventually comes to the attention of the married Prince of Wales and becomes his mistress.

Trapped in her loveless marriage with the hapless and alcoholic Edward Langtry, Lillie goes on to have numerous love affairs with some of the most socially prominent and wealthy men of her day and eventually has a love child. Courted by all, her beauty and need for money brings her to the stage, where she becomes an actress with her own company. Her fame by now has spanned the ocean and made her a celebrity in America, as well as in Europe.

Lillie certainly knew the value of marketing, as she endorsed numerous products with her name. A woman ahead of her time, who marched to the beat of her own drum, she still went to great pains to avoid scandal, though it was never far from her doorstep. Alas, in the end, her fame and beauty decimated by age, her lovers dead or gone, Lillie, no longer the toast of two continents, ends up nothing more than a lonely old lady.

The cast for this production is stellar and the costumes are first rate. Francesca Annis is beautiful and certainly gives a competent performance as the notorious Lillie. Though her performance is acclaimed, however, the viewer cannot help but wonder why such a fuss was ever made over Lillie, as she comes across as supremely shallow and vapid. I attribute this to the fact that Ms. Annis’ portrayal of Lillie comes across as being rather flat, failing to make her a truly likable character. Peter Egan, on the other hand, is superb as Oscar Wilde and, as far as I am concerned, steals the show. Filled with much social intrigue and witty repartee, the series will keep the viewer riveted to the screen.

This four disc DVD is well done with good visuals and clarity of sound. It does not offer much by way of bonus features, but with such a lengthy production, who cares. All in all, this is a very enjoyable and entertaining series that will provide the viewer with hours of viewing pleasure. Those who like period pieces and historical dramas will most certainly enjoy this one.

A Thoroughly Enjoyable Historical Biography!5
Born Emilie Le Breton in 1853 on the Channel Island of Jersey, Lillie Langtry went on to become one of the most famous women of the late 19th century, and this 1978 series (consisting of thirteen 50-minute episodes) does an admirable job of chronicling her fascinating life.

Lillie was gifted with exceptional beauty, and although she and her new husband Edward Langtry (played by Anton Rogers (May to December, Fresh Fields)) were people of very modest means when they moved to London, it didn’t take long for Lillie to become noticed. Indeed, Lillie craved London society and did all she could to secure herself a place therein. Becoming a Professional Beauty (the 19th century equivalent of a Supermodel) certainly helped for soon her portraits and photographs were everywhere. (Her friendships, by the way, included the artists Millais and Whistler and the playwright Oscar Wilde (played to absolute perfection by Peter Egan)). It was, however, her relationship as one of the mistresses of Bertie, the Prince of Wales, that really sealed Lillie’s position in society. Society, however, failed to hold Lillie’s interest for long, and she soon embarked upon a career as an actress, a decision that was to bring Lillie international attention and acclaim–to such an extent that a town in Texas was even named after her!

In this series, Lillie is portrayed by the stunningly beautiful Francesca Annis who, at least in my opinion, is simply splendid as Lillie; indeed, so perfect is her portrayal that I cannot possibly imagine anyone else in the role. Having seen pictures of the real Lillie Langtry, both my mother and I have often remarked on how Lillie’s beauty pales by comparison with Francesca’s–evidence, no doubt, that beauty is truly in the eye of the beholder, and that which one society considers to be perfection is often very different from that which is considered to be so by another!

In conclusion, this is an engaging and entertaining story of a woman who led a very interesting and atypical life. It is perfectly cast and extremely well-acted, and I highly recommend it to anyone with a love for either period drama or historical biography. For those interested in delving even deeper into this fascinating woman’s life, I highly recommend Laura Beatty’s highly acclaimed biography entitled Lillie Langtry–Manners, Masks and Morals (a 1999 UK publication).

Amazon.com
The real Lillie Langtry (1853-1929) was the original Victorian supermodel and America’s first “superstar.” Inauspiciously born on the Isle of Jersey, Lillie began life as a small-town tomboy and went on to challenge Victorian society’s attitudes toward women. Eventually sought after by painters, photographers, writers, and hostesses, the beautiful Lillie befriended Oscar Wilde, bedded the Prince of Wales, bore a daughter to Prince Louis of Battenburg, owned a California winery and winning racehorses, gained a British title, left a trail of broken hearts behind her wherever she went, and even had a town in Texas named after her. What the controversial Lillie did not gain through marriage, she earned as an actress and notable advertising figure who endorsed everything from soap and cigarettes to bustles.

Originally released in 1979, this 13-part Masterpiece Theatre presentation re-creates Lillie’s tumultuous life. The DVD features include well-implemented interactive menus, a slide show, cast filmography, and Web links. While the Victorian and Edwardian details are convincing, the series as a whole has an unfortunate 1970s TV aesthetic–the color and lighting often fail to meet current standards. And although Peter Egan is enthralling as Oscar Wilde, Francesca Annis’s performance as Lillie is disappointingly flat. For this reason, Lillie will let down viewers seeking to be inspired by a boldly rebellious Victorian woman. After all, Lillie Langtry was no suffragette. On the other hand, anyone who enjoys a little Wilde-style gossip and social intrigue will find hours of scintillating entertainment in Lillie. –Tara Chace

BlogCritics Magazine
“Matches up favourably to anything produced in recent years, and is probably better than most of what is being made today.”

Brattleboro Reformer
“I will be replaying this one over the years to come. Ten stars out of 10″

Bronson Blu-ray-Retail $29.98! Sale Only $19.49!

Sunday, August 29th, 2010

Bronson Blu-ray

Bronson Blu-ray-Retail $29.98! Sale Only $19.49!

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Bronson Blu-ray Description:

BASED ON THE TRUE STORY OF ONE OF THE WORLD S MOST VIOLENT PRISONERS
In 1974, a misguided 19-year-old named Michael Peterson decided he wanted to make a name for himself, and so with a homemade sawn-off shotgun and a head full of dreams, he attempted to rob a post office. Swiftly apprehended and originally sentenced to seven years in jail, Peterson has subsequently been behind bars for 34 years, 30 of which have been spent in solitary confinement. Provocative and stylized, BRONSON follows the metamorphosis of Mickey Peterson, who gave himself the nickname Charles Bronson, from a petty thief into Britain’s most dangerous prisoner.

  • Amazon Sales Rank: #12411 in DVD
  • Brand: MAGNOLIA PICT HM ENT
  • Released on: 2010-02-09
  • Rating: R (Restricted)
  • Aspect ratio: 1.85:1
  • Formats: AC-3, Closed-captioned, Color, Dolby, Subtitled, Widescreen
  • Original language: English
  • Subtitled in: English, Spanish
  • Number of discs: 1
  • Dimensions: .25 pounds
  • Running time: 93 minutes

Customer Reviews:

“I only ever wanted to be famous”4
It’s very difficult to describe Bronson, and even harder to pigeon hole it into a specific category or genre. Hailed a new “Clockwork Orange” is a bit misleading, as it doesn’t really deal with an overall dystopian view of wild indoctrinated youth, more so one individuals sad spiral into mental self awareness of an inner voice. Although highly stylized, it’s also overall, quite a sad depiction of infamous British criminal Michael Peterson, (renamed Charlie Bronson by his bare knuckle fight promoter boss and former inmate Lenny McLean)

For me, it’s extremely easy to relate to growing up in 70’s England, as a young man with few options (they were hard times all round, with high employment, and a nation still suffering under the machinations of the government of the day). The filming locations and set designs are authentic, and the sense of poverty and misdirection almost tangible.
What follows is “based” on a true story, a more accurate description would be to say it’s based upon Petersons own biographies and books written while incarcerated, and then polished with a lot of poetic license by director Nicolas Wefn.
A boy from a lower middle class but nonetheless stable background, Peterson displayed violent tendencies from a young age, and a slow burn feel of inevitability that he would become the nihilistic man of the title.
However, from a criminal point of view, Bronson was far more of a criminal inside prison than out. A bungled hold up at a post office brought him a 7 year term, he never actually killed anyone (as he states quite clearly during the movie), and from there begins the immergence of the inner man. After the torment of his first sentence he is freed, even falls in love, and bounces around between his eccentric uncles 70’s style opium den (much red lights and heavy drapes inside a projects style apartment high rise) and bare knuckle brawling against men and even dogs!
Still searching for an unknown ambition, “I only ever wanted to be famous” voices actor Tom Hardy in the title role, and like so many people of his generation his aspirations were common for men of his age, although they did not know exactly how or what they would become famous for.
Knowing his true place is back inside he quickly recommits and returns to prison, and sets about countless hostage taking, and guard beating episodes, each one gaining him more notoriety.
He now begins to believe, his chance at glory lies in infamy, on the inside as a feared convict. His achievements were realized when he was labeled by the British press (and other sources) as “Britain’s most Violent criminal”

Still in prison today, he has spent more than 30 years in solitary confinement for his continuous violent behavior.
I’ll stop here to add that Tom Hardy is amazing in what must have been a difficult role. Far removed from Praetor Shinzon in Star Trek Nemesis – now appearing much older physically, he has matured, and certainly beefed up for the role. But the strength of the performance lies in the depth of the portrayal.
The monosyllabic narration scenes that seem to join sections of the story together draw you in and keep you compelled to watch and you believe the story. Hardy exudes an almost palpable menace, as he flicks from deep thought and introspective silence, even sadness to a violent boiling rage in the blink of an eye, truly scary.
The violent scenes are unflinching and brutal, though not overdone or gratuitous. They are also unwavering in how they portray the futility of Bronson’s actions, reinforcing his inner turmoil.
Quite short at 92 minutes, it is nonetheless a powerful biopic, regardless of how accurate the material.
I felt great sympathy for the character (which probably sounds misplaced for someone who attacked, injured and brutalized many prison guards) but the Director (and Hardy) elevate the story to a level above just violence.
The scenes where he returns to his parents new smaller home now replete of his childhood belongings show an undercurrent of helpless, almost childlike loss and sadness for example.
The film flicks between the narration and story scenes to Hardy playing out his life on a make believe music hall stage to a willing audience, giving a dreamy quality that probably prompted the comparisons to Kubrick, and Clockwork Orange.
Accomplished author, artist and sculpture on the one hand, vicious psychotic thug on the other, that never lets you know when he will flick from one to the other makes for memorable (if not always easy) viewing. 4 stars.

Fascinating, humerous, and brutal4
Everyone has heard of Charles Bronson. Well, THAT Charles Bronson anyway, the title character here is definitely a far cry from the hardened film hero of the same name. This Charlie Bronson was originally born Michael Peterson, who despite having a decent upbringing, grew up to be a criminal, and much, much more surprisingly. Known as Britain’s most notorious prisoner, Bronson manages to capture the ferocity of the man with tongue-in-cheek humor and sheer unpredictable moments. Tom Hardy, who has been in quite a bit ranging from Star Trek: Nemesis, Layer Cake, and Rocknrolla among others, gives a star-making performance that should be seen to be believed. Besides undergoing a physical transformation in bulking up, Hardy’s performance may very well be akin to what Eric Bana managed to do some years ago with Chopper, in which he ironically enough, played famous prisoner Mark “Chopper” Read. All in all, though it definitely isn’t for everybody, Bronson is wholeheartedly worth your time, mainly thanks to the ferocious performance of Tom Hardy, whose stardom should most definitely (and deservedly) be on the rise.

Not To Be Compared4
This is not a Hollywood movie. This is a theatrical interpretation of a man who stuck to his guns. No beginning, no end, just a chunk of this man’s life layed out in a blur of violence and awkward moments. If you collect eccentric cinema as opposed to collector’s editions of Hollywood Blockbusters then you may want to check this out. It’s not the sharpest Blu-Ray image in town but this isn’t one of those movies where that is important. Tom Hardy is amazing and creates a atmosphere where you’re unsure of whether he is Bronson or re-telling the tale of Bronson. This is a Macho (which doesn’t mean females shouldn’t watch it) movie but even more so because these are events that took place as opposed to the Bourne Trilogy, which is good, but come on, this is what really happens when you go around beating everyone up; you go to jail.

Amazon.com
Tom Hardy’s performance in the lead role burns right through Bronson, the somewhat true tale of a real guy who, once the movie finishes, you’ll be very glad is still locked up in an English jail. There’s no obvious reason why Michael Peterson became what he proudly calls “Britain’s most violent prisoner.” His upbringing was normal, his parents meek but loving; he was even married with a child when, in 1974, he attempted a robbery that landed him in the slammer for the first time. Peterson saw this as “an opportunity to sharpen my tools” and make a name for himself; and that he did, eagerly taking on half a dozen guards at once and regularly spending time in solitary confinement (at one point for 69 straight days). A stint in “the loony bin,” where he killed another patient, followed, as did incarceration in a hospital for the criminally insane, a brief period on the outside (having been “certified sane,” he went to live in an uncle’s whorehouse, found work as a prizefighter, and fell in love), and then a permanent return to prison, where he decided to change his name to Charlie Bronson (after the American actor) and, improbably, became a pretty decent painter (a climactic scene with his art teacher perversely invokes the Belgian artist René Magritte). Not all of this really happened, but director and cowriter Nicolas Winding Refn’s film is hardly a documentary; with its saturated color palette, surreal framing devices (Bronson tells some of his tale to a rapt audience in a large theater), and frequent use of black humor, this is a highly stylized and often strange piece of work. Hardy, who has also been seen in Guy Ritchie’s RocknRolla and will be in George Miller’s fourth Road Warrior epic, delivers an extreme performance; sporting a shaved head and a John L. Sullivan handlebar mustache, he is a credible if occasionally cartoonish presence, a leering, profane, joyously violent cockney madman. Extras include interviews, a making-of documentary, and a featurette detailing the extremely buff Hardy’s training for the role. –Sam Graham

Czechoslovakia Post WWII: Politcs, Communist Infiltration, 1948 Sale-$10.95!

Sunday, August 29th, 2010

Czechoslovakia Post WWII: Politcs, Communist Infiltration, 1948

Czechoslovakia Post WWII: Politcs, Communist Infiltration, 1948 Sale-$10.95!

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Czechoslovakia Post WWII: Politcs, Communist Infiltration, 1948 Description:

Experience the American Journey through our country’s visual heritage in this historical recording provided by the National Archives of the United States. A film from the CIA Documentary Film Library.This historical recording from the National Archives may contain variations in audio and video quality based on the limitations of the original source material. The content summary for this DVD is adapted from an historical description provided by the government agency or donor at the time of production release.

This product is manufactured on demand using DVD-R recordable media. Amazon.com’s standard return policy will apply.

  • Amazon Sales Rank: #146827 in DVD
  • Released on: 2009-10-06
  • Format: NTSC
  • Running time: 16 minutes

Customer Reviews:

The Aristocrats-Retail $14.99! Sale Only $7.99!

Sunday, August 29th, 2010

The Aristocrats

The Aristocrats-Retail $14.99! Sale Only $7.99!

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The Aristocrats Description:

Comedy veterans and co-creators Penn Jillette (one half of the hit duo Penn & Teller) and Paul Provenza capitalize on their insider status and invite over 100 of their closest friends (who happen to be some of the biggest names in entertainment, from George Carlin, Whoopi Goldberg, Drew Carey to Gilbert Gottfried, Bob Saget, Paul Reiser and Sarah Silverman) to reminisce, analyze and deliver their own versions of the world’s dirtiest joke, an old burlesque routine too extreme to be performed in public, called The Aristocrats. One of the smash hits of the 2005 Sundance film festival, this critically acclaimed, star-studded comedy extravaganza, which celebrates the art of improvisation and the finest (and most foul mouthed) traditions of stand up, is sure to stretch the limits of its audience, particularly for how loud and how long they can laugh.

  • Amazon Sales Rank: #11426 in DVD
  • Brand: Image Entertainment
  • Released on: 2006-01-24
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Color, NTSC, Closed-captioned
  • Original language: English
  • Number of discs: 1
  • Running time: 89 minutes

Customer Reviews:

One hundred comedians deconstruct the world’s dirtiest joke5
WARNING: Spoilers galore and discussion of off color topics.

First, it has to be emphasized to anyone contemplating seeing this film that it without any question contains more offensive language than any other general release film in American history. If you are offended by graphic descriptions of every conceivable form of sexual perversion including incest and bestiality or by the most extreme descriptions of scatological activity, you really should pass on this one in favor of another film. That being said, this is without question one of the funniest films I have ever seen, and the preview audition I saw it with was laughing loudly from beginning to end.

“The Aristocrats” is, we are told near the beginning of the film, a joke that comedians often tell one another. In basic outline, it is quite simple. The basic elements are a man walking into a talent scout’s office and telling him that he has a great act, and then describes a performance in which the man and his wife and children and other relatives, including the family dog, come onstage and perform some bizarre combination of sexual, incestuous, scatological, bestial, and murderous acts. After a long catalog of acts straight out of the Marquis de Sade, the scout then asks what they call themselves, to which the man replies, “The Aristocrats.” The joke–admittedly not a very good one–is the extreme contrast between the barbarity and outrageousness of the acts, and the man having the gall to imagine that their actions could in any sense be aristocratic. This is not a joke that many comedians tell in public; it is simply too nasty, too extreme. It is, instead, a bit of a test that comedians take in front of other comedians, to see if they have a right to respect among their peers.

As the movie progresses, it becomes obvious that the challenge for comedians is to come up with some new variation of the joke that allows them some claim of originality. It is like a chess problem that requires some new resolution. Or, to put it in another sense, a comedian telling the joke anew is like a gunfighter taking on all previous gunslingers, creating a reputation for themselves. And indeed, as the movie goes along, a number of comedians do manage new variants that are increasingly surprising. Though obscene throughout, the film ends up being almost an academic, anthropological study of the nature and possibilities of humor.

A vast number (I read somewhere that a hundred comics participate) of well known and lesser known comedians appear in the film, from such prominent stand ups as Robin Williams and George Carlin to a host of unknowns, as well as older veterans such as Larry Storch and Tim Conway. A number provide their own retellings of the joke, with some being more successful than others. Although there are many quite hysterical versions of the joke, I thought four stood out. The best, in my opinion, was shockingly that of Bob Saggett of FULL HOUSE. His version is unique in that as he tells it, he feigns shock that he is doing so, and seems momentarily to have doubts as to its wisdom, hesitates, and then plunges right back into the joke. Very nearly as good is a somewhat less nasty, more cerebral version by Martin Mull, with the best punch line of the movie. No one hates mimes more than I do, but a mime I did not previously know called Bill the Mime performed a brilliantly obscene mime version of the joke. Finally, a truly awful ventriloquist (his mouth moved almost normally throughout) with a badly constructed puppet told the joke very ineptly, only to have his puppet jump in and show him the way it should be done. We get an endless variation on the joke, from Sarah Silverman’s very strange rendition which morphs into an accusation of rape by Joe Franklin, to versions where the acts on stage are described as gentile and sophisticated, but the name of the act is unspeakably offensive.

This is very definitely not a movie for everyone. If you are easily offended, you should pass. But if you want to see a very, very funny movie that involves more comedians than you could shake a stage at, don’t miss this.

Utterly Brilliant — and FAR more than just a dirty joke5
This is a movie about one of the dirtiest jokes ever. But it’s not really. It’s really about the art of telling a joke. It’s about the philosophy of comedy, of transgression, of challenging the rules of “polite society” as comics have done for centuries, about how the human mind works, how men and women see humor differently, about what we find funny, what surprises us, what revolts us, and more to the point, what DOESN’T revolt us even if it seems it should. And to discuss all these topics, the film makers have assembled a top flight group — stand-up comedians, comedic actors, writers, and others, from old-time comics to the youngest and hippest new talents (is anyone funnier than Sarah Silverman when she really gets going?).

It’s a free turtorial in how comedy works, as we watch a large and diverse group of artists tell this same joke in dozens of different ways, with many different set-ups, many different payoffs, and more ways of exploring the middle of the joke (some compare it to an improvised jazz solo) than you could ever imagine. We see how men and women emphasize different things, how the younger comics make it more sexual and the older comics make it more scatalogical. Somebody could teach a semster course on this…

It’s a smart, insightful film about America and the American sense of humor, and about the real “us” that we rarely show the rest of the world. It’s a fascinating philosophical document that will appall you even as you fall out of your seat laughing, and then drive home thinking about it for hours afterward.

Not for Everyone–but perfect for the right folks5
I saw this film at a college theater in Ann Arbor, because I knew it would never come to the area where I live. It is the funniest and filthiest documentary ever made, about the funniest and filthiest joke ever told. One hundred comedians either tell the joke or comment on it or both. It’s been an “in-thing” among comedians for years, and now at last it’s out there for all to see. If your tolerance for scatalogical, sick, perverted humor is not high, don’t even try to see it. It takes a strong stomach to listen to the joke as it becomes ever more depraved, but if you can take it, your sides will ache from laughter before it’s over.

Amazon.com
Released without a rating and billed as “the most vile, disgusting, and vulgar” film of all time, The Aristocrats is also funny enough to qualify as a minor comedy classic. We say “minor” only because hearing the same foul joke told by 100 celebrated comedians is inevitably exhausting, even though the shaggy-dog gag (a vintage in-joke among comedians, allowing outrageously obscene improvisation, and always ending with the same titular punchline) is also a fascinating litmus test for each comedian’s irreverent style. As codirectors and show-biz insiders, veteran comedians Paul Provenza and Penn Jillette (from the comedy duo Penn & Teller) corralled an unprecedented parade of stand-up celebrities (George Carlin, Robin Williams, Drew Carey, Whoopi Goldberg, Sarah Silverman, the South Park kids and many, many more), each telling “the dirtiest joke of all time” in their own inimitable fashion. The sheer volume of vaudevillian vulgarity takes on a life of its own, more fascinating than funny, until Gilbert Gottfried (at a celebrity roast for Hugh Hefner, shortly after the terrorist attacks of 9/11/01) tells what is unanimously hailed as the definitive version of the joke. It’s a matter of context, style, and bawdy bravado, and for better or worse, The Aristocrats will endure as a testament to a joke so bad–so uproariously bad–that no comedian worthy of the profession can resist the temptation to tell it. –Jeff Shannon

Peter Travers, Rolling Stone
“You’ll laugh till it hurts.”

The New York Times
“An uproarious dissection of a notorious dirty joke told by a retinue of famous comedians.”

Donizetti – La Fille du Regiment The Daughter of the Regiment / Bonynge, Sutherland, Australian Opera Discount.

Saturday, August 28th, 2010

Donizetti - La Fille du Regiment The Daughter of the Regiment / Bonynge, Sutherland, Australian Opera

Donizetti – La Fille du Regiment The Daughter of the Regiment / Bonynge, Sutherland, Australian Opera Discount.

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Donizetti – La Fille du Regiment The Daughter of the Regiment / Bonynge, Sutherland, Australian Opera Description:

Joan sutherlands legendary performance in the opera australia production of donizettis masterpiece of operatic comedy. Studio: Kultur Release Date: 11/20/2001 Starring: Joan Sutherland Run time: 122 minutes Rating: Nr

  • Amazon Sales Rank: #73843 in DVD
  • Released on: 2001-11-20
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Classical, Color, DVD, NTSC
  • Original language: French
  • Subtitled in: English
  • Number of discs: 1
  • Running time: 120 minutes

Customer Reviews:

A delightful staging, and a horrible DVD production3
I had watched my VHS tape for years and enjoyed the staging of this comic opera. I ordered the DVD when it came out, and boy, did I regret it! The DVD production is horrible! It came at the usual poor Kultur DVD production level (no extra features, DD2.0 sound, no subtitle selection, etc.) That’s fine, I can live with that. But the video quality is so poor, you can literally see the screen as a bunch of small pixels! I don’t know what kind of video compression technique was used for the DVD production, but it is about as poor (if not poorer) than a VCD (MPEG1) quality. And the compression is so bad that some times you watch the action in slow motion!

Regarding the opera production, it is a real delight! Joan may not have all her power and high notes in her prime, but she showed us what a brilliant actress she is. The orchestra played real well under Richard’s conducting. The tenor is no Pavarotti, but is quite acceptable.

I just hope that Kultur can start improving their DVD production quality. Otherwise, so many great performing archives that Kultur owns the release right will be ruined.

Sutherland an absolute delight as Marie!4
This live performance of La fille du régiment was made roughly 15 years after Sutherland’s celebrated commercial recording of the opera with Pavarotti. She was just short of 60 years old at the time of this performance and was at the time enjoying a sort of renaissance of renewed strength and vigor in her voice. I saw her in four performances of Anna Bolena in Houston just two months prior to this Fille, and in a challenging concert in Dallas about six months after, and noted that she sounded magnificent each time I saw her. Here, she is in good representative form for the period.

Even though Sutherland was best known for the many heroines, most of them loony, that she portrayed in the serious operas of the bel canto era, her true métier was comedy. Her sense of timing was flawless. At Marie’s entrance Sutherland appears to do several drum rolls and then one time the offstage drummer does a roll that she “accidentally” fails to follow, with a delightful reaction on her part; she returns to this joke once more during her entrance aria that follows. The second act includes a long comic tour de force as Sutherland, playing a canteen girl brought against her will into high society, is forced to rehearse a rather long-winded and stuffy song her “aunt” (actually her mother trying to cover up Marie’s illegitimate birth) wants her to perform. For me the highlight of her visual performance involves one of the oldest gags in the book, a scene where she follows her aunt around mimicking her gestures; each time the poor aunt turns around Marie adopts a pose facing the audience that belies the fact that she has been making fun of her. She is so natural and so delightful in this scene that she had me rolling on the floor with laughter.

But what about vocally? you ask. How does she measure up? Well, I’ll start with the bad stuff, what little of it there is: Sutherland simplifies the music only very slightly from her celebrated recording from 15 years earlier (a high note omitted here, a long note cut short there), and her imitation of a bugle call near the beginning of the opera contains a few (and I mean few) notes that are a bit flat, a flaw she corrects by the end of that call. Other than that, she is in very good voice, with even the famous Sutherland trill still very much in place. Perhaps I might be expected to say at this point that “she is in very good voice for an almost-60-year-old woman,” and as it turns out no apologies are necessary. Sopranos half her age might well have cause to be envious. We were very fortunate to have Sutherland for as long as we did; when will her like come along again? And while it is true that most of the men in the chorus who played her many loving regimental “fathers” do appear to be half Sutherland’s age or younger, this was probably less evident in actual performance than on television. Still the television director, not wanting to push his luck, uses few true close-ups. Bottom line is that the audience truly loves her, and who can blame them?

The rest of the cast does not let the side down either. Veteran Heather Begg, looking and sounding older than she probably actually was (check her out in the Adriana Lecouvreur video made two years later to get a better idea of her actual age), is appropriately snooty and stuffy. She also shows herself to be a good comic actress as well, particularly in the aforementioned rehearsal scene. Anson Austin, Sutherland’s partner in a number of these Australian videos, sings well enough. He does sound a bit raw in a few of the nine high C’s in his big aria, although he recovers in time to do a good and long-held final one. Gregory Yurisich as Sergeant Sulpice is nowhere near as crusty as I might expect an old sergeant to be; still he was fun to watch and very much into the piece. Richard Bonynge’s conducting is buoyant and very supportive of the singers.

Production values could have been a bit better. All we get is the opera with no special features. Picture and sound are good, although it would have been nice to at least be able to turn the subtitles on and off, something that is possibly not Kultur’s fault. Anyway, the lack of special features is the only reason I gave the DVD four stars instead of five.

This is easily the best of the Sutherland videos that I have seen, even if I still regret that nobody took the time to videotape her Semiramide or Esclarmonde. Highly recommended for those who want to spend a couple of hours enjoying one of the more fun comic operas, and even more highly recommended for Sutherland fans.

It’s good, but4
Sutherland is good here. But she is spectacular in the DVD “The Complete Bell Telephone Hour Performances 1961-1968, and the VHS “Age of Bel Canto”. These two are Joan Sutherland’s most accomplished performances and among the most mind bogglingly awesome recordings available today.
In this Daugher of the regiment, she is way past her prime. If you like the opera, buy the Sutherland/Pavarotti cd or cassette instead.

Amazon.com
Hometown girl makes good as soprano Joan Sutherland struts her considerable stuff in this ramshackle but mostly delightful version of Donizetti’s frantic comedy. Videotaped at a 1986 Australian Opera performance, the production tries a bit too much to imitate Gilbert & Sullivan in its broad comic strokes and overly frilly costumes, but this approach isn’t totally alien to Donizetti’s madcap plot and characters. Of course, the mettle of any Donizetti staging is tested by its lead actress, and Sutherland is in top bel canto form as the heroine, Marie, easily handling the composer’s difficult vocal writing and receiving a highly partisan but justly earned ovation. Richard Bonynge, conducting the Elizabethan Sydney Orchestra, and the Australian Opera Chorus also contribute greatly to the generally upbeat atmosphere. –Kevin Filipski

From the Back Cover
The Daughter of the Regiment seems to burst over with Gallic wit and charm. It tells a tale of young love–frustrated, then victorious–and gave the composer Donizetti ample chances to write military rhythms, pastoral mood music, and passionate love exchanges, as well as to create a role that any prima donna would fight to perform. The story centers on the waif Marie, who is adopted by a French army regiment, falls in love with a Tyrolean youth called Tonio, but is carried off to live with the Marquise of Berkenfeld, who plans to turn her into a genteel lady and marry her to an aristocrat. But at the final curtain, the Marquise (who turns out to be her long-lost mother) relents and lets her marry Tonio.

This Australian Opera production was praised as such: “Dame Joan Sutherland has made the cute heroine Marie as much her own as the tragic Lucia. Sutherland tossed off the soprano’s florid runs and trills like a lark ascending while romping around the stage with the tongue-in-cheek nonchalance of a born comedian. The supporting cast was splendid both vocally and histrionically.” –The Australian. “The Daughter of the Regiment is purely opera as entertainment. However, it does demand exceptionally fine singing. On both counts, for vocal splendor and for entertainment, it succeeds admirably.” –Canberra Times

Cast:

Joan Sutherland: Marie
Anson Austin: Tonio
Heather Begg: Marquesa
Gregory Yurisich: Sulpice
Gordon Wlcocs: Hortensio
Marie-Claire: Duquesa

Robots Full Screen Edition Lowest Price!

Saturday, August 28th, 2010

Robots Full Screen Edition

Robots Full Screen Edition Lowest Price!

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List Price: $14.98

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Robots Full Screen Edition Description:

Fasten your seat bolts and gear up for a hilarious, heartwarming comedy that’s “Fun for the whole family!” (Clay Smith, Access Hollywood)

With the help of his misfit mechanical friends, a small town robot named Rodney embarks on the adventure of a lifetime as he heads for the big city to pursue his dreams?and ultimately proves that anyone can shine no matter what they’re made of.

Featuring an all-star voice cast and a groundbreaking visual style that pushes the boundaries of animated filmmaking. Robots is a dazzling, fun-filled feast for the eyes and a riveting good time for all ages!

  • Amazon Sales Rank: #9698 in DVD
  • Brand: TCFHE
  • Released on: 2005-09-27
  • Rating: PG (Parental Guidance Suggested)
  • Aspect ratio: 1.33:1
  • Formats: Animated, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, Subtitled, NTSC
  • Original language: English, Italian
  • Subtitled in: English, Spanish
  • Dubbed in: English, French, Spanish
  • Number of discs: 1
  • Dimensions: .25 pounds
  • Running time: 91 minutes

Customer Reviews:

Not Ice Age, but still quite funny4
As reviewers, it’s natural for us to compare an artist’s work to his/her previous album, movie, book, etc. In this case, it becomes “natural” to compare “Robots” to the previous animated hit by Fox, “Ice Age”. If we do this, “Robots” comes out lacking against its frozen predecessor. It is not as novel in terms of its intent and also the script is not as powerful (perhaps because it’s also tougher to relate to inanimate beings such as robots, than it is to relate to animals or humans). But still, it is a funny (though predictable) movie, with touching moments and plenty of excitement all through it. I particularly enjoyed the ride that Rodney is put through when he arrives in Robot City, in order to get to the headquarters of Big Weld, where he dreams of working.

The humor can be argued to be more adult-oriented, but still with proper supervision, I totally see it being fit for children. The fact that our 18-month old was jumping out of his seat halfway through the movie is more the result of him being hyper than the movie not being fit for children. Now I admit this is no “Finding Nemo” (which keeps him entertained all through it, time and again). So, bottom line, while not as good as or innovative as “Ice Age” and without a very powerful storyline and groundbreaking animation as “Nemo” got us used to, “Robots” is still a funny movie worth checking out.

Just fantastic5
Animation is a hot genre these days, thanks to the phenomenal success of Pixar’s multi-million dollar blockbusters “Toy Story,” “Monsters, Inc,” and “Finding Nemo,” and DreamWorks’ “Shrek.” These studio giants have opened the door for other, smaller companies like Blue Sky Studios to release innovative and high-quality movies, such as their first film, “Ice Age” in 2002, and their new, more ambitious endeavor, “Robots.”

Visually, “Robots” is stunning, both in the look of the world and the creativity of its inner workings. The colors are vivid and the setup is ripe with potential for visual gags. The first half hour of the film is especially entertaining, beginning with Rodney’s “delivery” as a baby. In the robot world, babies are delivered in boxes and are put together like children’s toys at Christmas.

The characters, led by an all-star cast of distinctive voices, are fun too, especially Broadbent’s deliciously evil Madame Gasket and Williams’s high-energy Fender, though I thought Williams could have been given more screen time and more freedom to improvise.

The film’s only weak spot, if you can call it that, is in its overzealousness to please. At times, there are so many visual elements, action sequences and gags going on at once, it feels as though we have no time to breathe. But, I applaud the creators for their passion for the project. I’d much rather see a studio go too far with its enthusiasm than not far enough. The film’s storyline, too, could have been a bit more complex, but kids will love it, and parents will appreciate the complexity of the visual world in exchange for what it might be lacking in story. Overall, this film is a joy to watch, primarily because its cup runneth over with creativity and delight. It’s obvious the creators put a lot of time and soul into it, and it paid off– in spades.

It’s exciting, too, to see this level of animation coming more frequently to the big screen. Pixar sparked a new interest in animation with its release of “Toy Story” in 1995, and has bred an entire generation of animation lovers over the past decade with its subsequent blockbusters. This trend, in turn, has given companies like Blue Sky Studios, Fox, DreamWorks, and others an audience hungry for more of what they have to offer – and they are only too happy to deliver.

Awesomely funny5
The thing I like best about robots is its originality. You keep seeing new computer animated movies coming out and they’re either copied ideas from previous ones, or they’re just plain not funny. Or both. Shark Tale, to name one. The Incredibles had enough action and stuff in it to make up for the lack of belly-shaking humor, but it still could’ve been better.

Robots has some hilarious sequences in it. Namely, Rodney and Fenders armpit moment, in which everyone in the house joins in *most memorable line* – “Aunt Fanny, we were using our ARMS!!!” Another sequence that made me split was Fender’s dance moment. The idea of Robin William’s robot wearing a small skirt and dancing is funny enough; combine it with Britney Spears’ hit Baby One More Time and you’ve got serious funniness.

All in all, robots rates right up there with Shrek and Finding Nemo. Every family should own it.

Amazon.com
The delightful designs of William Joyce (writer/illustrator of such popular children’s books as George Shrinks and Bently & Egg) make Robots a joy to behold. The round, bouncy, and ramshackle forms of hero Rodney Copperbottom and his computer-animated friends are part of an ornate and daffy


Fender providing assistance.

Rube-Goldberg universe of elaborate contraptions and gleaming metallic surfaces. Rodney (voiced with a hint-of-Scottish lilt by Ewan McGregor) is a young inventor who sets off for Robot City to work for Big Weld (Mel Brooks), the supreme inventor of the mechanical world. But upon his arrival, Rodney discovers that Big Weld has disappeared, and the slick, shiny Ratchet (Greg Kinnear, As Good As It Gets) is phasing out the spare parts that lumpen robots need to function and replacing them with “upgrades”–expensive and glistening new exoskeletons. Unfortunately, from this suitable beginning, the story degenerates into a series of action sequences that make very little sense, though some are kinetic and fun (though others are only there to serve the inevitable Robots video game). Most kids will enjoy the sheer visual pleasure of the movie, but compared to the narrative richness of Pixar movies like The Incredibles and Toy Story, that pleasure is pretty short-lived. Also featuring the voices of Robin Williams, Halle Berry, Jim Broadbent, Amanda Bynes, Jennifer Coolidge, and many, many more. –Bret Fetzer

DVD Features

Jennifer Coolidge returns as the voice of Aunt Fanny in a mildly amusing new short, “Aunt Fanny’s Tour of Booty,” which allows her to again be the butt of the joke. Fans of the characters will enjoy both a 17-minute discussion of the robots’ creation as well as profiles of 11 of the bots, including early, almost unrecognizable conceptual sketches and brief interviews with the voice cast. The original short is fairly dull, and of the three deleted scenes, the most finished is an extended version of Rodney’s initial meeting with Tim at the gate. One other is in sketch form only but does preserve another performance by Robin Williams. The kids’ games are pretty good. There’s a dancing robot that will perform eight routines on command or in random order. A memory game has a bit of replay value, and the build-a-bot segment takes some thought and investigation. The Xbox demo is a nifty little diversion that transforms one element (the transport-pod race) of the full-length, single-player Xbox game into a frenetic one- to four-player free-for-all.

In their commentary track, director Chris Wedge and producer-inspiration William Joyce have to remind each other to stop patting themselves on the back, but it is interesting to hear them talk about old games such as Mousetrap that played a part in developing the film. (Wedge’s frequent references to a possible “director’s cut” might not seem like a joke to DVD buyers who have gotten tired of DVD rereleases.) The commentary track by the Blue Sky technical team might be better, offering insights into the characters and the creation of the film without lapsing into too much techie-speak. –David Horiuchi

Stills from Robots (click for larger image)

The World of Robots


The Art of Robots

Robots soundtrack

Robots score

Robots for Xbox

Robots for PS2

Robots for GBA

Akira Sale-Price Too Low To Display!!

Saturday, August 28th, 2010

Akira

Akira Sale-Price Too Low To Display!!

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Akira Description:

In 1988, the landmark Anime film AKIRA, by director Katsuhiro Otomo, defined the cutting edge of Anime around the world. By today’s standards, Akira remains the pinnacle of cel animation and retains the explosive impact of its highly detailed animation and its intensely violent saga of power and corruption.

Neo-Tokyo has risen from the ashes of World War III to become a dark and dangerous megalopolis infested with gangs and terrorists. The government seethes with corruption and only maintains a token control over the powerful military that prevents total chaos and hides the secrets of the past. Childhood friends Tetsuo and Kaneda plunge into Neo-Tokyo’s darkest secret when their motorcycle gang encounters a military operation to retrieve an escaped experimental subject. Tetsuo, captured by the military, is subjected to experiments that make him a powerful psychic, but, unfortunately for Neo-Tokyo, Tetsuo’s powers rage out of control and he lashes out at the world that has oppressed him! Nothing can stop the destructive forces that Tetsuo wields except possibly the last boy to destroy Tokyo.

11537 + Sticker and Insert as Follows (15,000 units only)

Sticker: Akira Tattoo Included Insert: Akira Tattoo

  • Amazon Sales Rank: #19084 in DVD
  • Released on: 2001-07-24
  • Rating: R (Restricted)
  • Aspect ratio: 1.78:1
  • Formats: Anamorphic, Animated, Color, DVD, Widescreen, NTSC
  • Original language: English, Japanese
  • Subtitled in: English
  • Number of discs: 1
  • Running time: 124 minutes

Customer Reviews:

AKIRA on Blu-ray is the first film (animated or live) to be featured in 192kHz audio! Don’t throw away your DVD’s just yet!5
“AKIRA”, the 1988 anime film that became the masterpiece of mangaka and director Katsuhiro Otomo.

My first viewing of “AKIRA” was back in 1993. I have to be truthful, it was one of those films that I had to watch several times because I felt I was missing something integral. Each time I watched the film, there was always something new that I picked up and for anyone who has seen this animated film, just how much was put into the animation, the detail for an animated film.

In 1988, Disney had “Oliver & Friends” and being touted as the first animation to utilize hand drawn art and computerized graphics and as the film incorporated some darkness that may scare the kiddies, in Japan, “AKIRA” was a film that would set records in the Summer and eventually get a limited release in theaters.

The film would surprise and shock people because this was not a children’s animation, this was geared for adults. And did it look awesome at that time!

Flash forward over 20-years later for the Blu-ray release!

VIDEO & AUDIO:

For one, the film is now in 1080p and 16×9. Having seen this film evolve with each release from the VHS to LaserDisc and then DVD and now Blu-ray, for a film created back in 1988, “AKIRA” just looked amazing.

From the action scenes and just watching it on a large screen, I was amazed of how great it looked. Again, this is a 1988 release and I compared it to Disney’s “Oliver & Company” which was remastered and recently released on DVD
. But for an animation of that time, it looked like an animation of that time. “AKIRA” looked fantastic!

The colors were vibrant, I swear I was noticing background art from the film for the first time and that’s considering that I watched this film probably two dozen times already.

As for audio, this is where Bandai Entertainment has really gone out of their way to create a top-notch product. Being audiophiles themselves, the full capacity of the Blu-ray disc was used for the audio. “AKIRA” is the first film on Blu-ray that is released in 192 kHz/24-bit in Dolby TrueHD 5.1 sound. The highest level of sound quality attainable right now on contemporary media.

CD’s are sampled in 44.1 kHz and reproduces at 20 kHz. This Blu-ray is sampled in 192 kHz and reproduces at 96 kHz. CD’s are 16-bit, this Blu-ray Disc, the audio is 24-bit. The original soundtrack of “AKIRA” was originally recorded as a master tape that contained frequencies up to 100 kHz and so, with Blu-ray technology, this soundtrack on the Blu-ray is how the composer intended for people to listen to it.

With that being said, the audio of “AKIRA” is just phenomenal. From the music and the taiko drums, the the various sound effects of the motorcycles to the crowds that are protesting. The film just comes alive with this soundtrack on Blu-ray and really, was floored by the outstanding quality.

I watched both Japanese and audio soundtracks. A few things I need to let people know is when you see the menu being offered in Japanese or English, if you select Japanese, you get four choices of audio. If you select English, you get only three selections (Japanese Dolby Digital 5.1ch track is not on the English selection but the Japanese menu selection) of audio but I’m sure that most fans will be listening to the Dolby TrueHD tracks.

Also, another note is that this release features the Pioneer 2001 English audio dub and not the 1991 Streamline dub. Having been subjugated to the Streamline English dub which was terrible in my opinion, this Pioneer dub is more to my liking.

With that being said, with the Blu-ray disc focusing so much on audio quality and using the Blu-ray disc for that purpose, that would mean that special features that fans were accustomed to on the VHS or DVD release will not get on the Blu-ray disc, so don’t toss your DVD’s out just yet.

SPECIAL FEATURES:

The Blu-ray disc was utilized completely for audio, thus there is not much room to put anything else. Included are the two teaser trailers, the TV commercial, two trailers, storyboards (Still images) and a 32-page color booklet.

The 32-page color booklet features 16-pages that go into the science behind the creation of the audio for “AKIRA” and “Hypersonic” which is “a medium that allows for the expression of something that was never possible for conventional sound limited to 20 kHz”. Also, an “Interview with Katsuhiro Otomo”, “The Effect Animation That Made AKIRA Shine” and more.

So, missing are the “Production Report (The Making of Akira)”, “Sound Clip (a documentary of the creation of the soundtrack), director’s interview and the documentary on the Akira restoration that were included on the DVD. So, don’t throw away your black tin DVD special edition just yet.

The Blu-ray case comes with a slipcase (front cover shown above and rear-side features the image below) and according to Bandai Entertainment, the slipcase and the 32-page booklet are part of the first press only.

JUDGMENT CALL:

“AKIRA” will always be regarded as one of the top animated films of all time. It set a precedence in animation quality in the late 80’s and the 90’s due to its detailed scenery, the vocal dub matching the lips (“AKIRA” was the first anime production featuring voice acting done before the animation was completed) and utilized over 160,000+ animated cels in order to achieve the fluid motion throughout the film. Again, this was animation geared for adults and has become a classic, must-own animated film.

I have to admit that having watched the film so many times, by the time the DVD came out, I think I was burned out on “AKIRA”. So, watching it nearly eight years later on Blu-ray and hearing the audio really bringing the film to life.

It’s hard to explain but having watched this film nearly two dozens times, this was the first time that I actually watched and thoroughly enjoyed the film. I was excited because of how much life the TrueHD audio brought into the animation. Just sitting down and hearing the taiko drums, the motorcycles revving, the people talking and to hear the overall soundtrack, it made a big difference for me watching it now than any of those times watching it before.

I was amazed by the vibrancy of the colors of the film, but I admit that I was waiting for the dust and the scratches and to my surprise, there were none. They cleaned this film up pretty good. So, aside from the much talked about audio, the video is no slouch either.

Last, I know that the direction of the Blu-ray in terms of going for superior audio quality is exciting for the audiophile but for those who want the special features that were featured on the DVD or fans of the original Streamline dub have a valid argument for them wanting inclusion of those features. Personally, I love releases that managed to include as many features as possible but in this case, having something unprecedented for a film and getting superior audio quality, it may not matter to casual viewers/listeners but I totally agree with the Japanese reviewers, this new audio makes a big difference when you view this film on Blu-ray.

So, superior audio quality versus older special features that probably would be in regular 480p anyway, personally I would rather go with the superior audio quality. Again, the production report has been offered on VHS and DVD already (and the DVD release of “AKIRA” was just too cool to own and by no means will I ever toss that release out).

What has made me even more excited is that the process invested in order to create this 192 kHZ process on “AKIRA” can hopefully now be used on other Blu-ray releases. “Mobile Suite Gundam” movies on Blu-ray anyone? How about those films in 192 kHZ, 24-bit ala Dolby TrueHD. That would be awesome!

So, “AKIRA” has opened up possibilities for Bandai Entertainment and overall, although not loaded with special features, the improved audio and video quality can’t be ignored. Again, “AKIRA” belonged on Blu-ray and it’s a solid release.

What can I say? “AKIRA” on Blu-ray has definitely made me excited for this film all over again. An incredible Blu-ray release that is simply a must-own!

Akira5
Akira is one of those movies that you never forget. The images are extremely powerful and graphic, so that they stick with you long after the movie is over. Despite its sometimes-confusing plot line, this movie is a wonderfully written, chilling look into the future, and into humanity as a whole. The movie more or less centers around a teenage biker gang in Neo-Tokyo, thirty-years after World War III. The main characters, Kaneda and Tetsuo, are two childhood friends who are constantly in competition with each other (Tetsuo being the weaker, taunted one.) Regardless, Tetsuo still looks up to Kaneda. As the introduction moves out of the chase scene, an interesting encounter with an odd looking child (who awakens the physic abilities lying dormant within Tetsuo’s mind) truly begins the movie.

The animation quality in this movie is almost enough of a reason to buy it. The detail is incredible, umparalled even by Disney?s standards. No one background or setting is used twice, and the environment is in constant change, be it blinking lights or a person exiting a random building. Oddly enough, the Bladerunner-esque buildings throughout the movie also help to establish the feeling of urgency, and the sensation of teetering on the edge of something great, something that we cannot possibly understand. The characters also move in a realistic, smooth motion, something that is missing from many anime television shows, like Pokemon or Digimon.

The music in this movie is also an aspect that really stands out, with a sound all its own. With this new DVD cleanup, you can hear every bell, whistle and drum beat. It sounds more Japanese than most animes out there, and that is not a bad thing. Every single song fits the actions incredibly well, from the haunting Requiem at the end, to the oddly infectious Japanese drums in Kaneda, heard during the motorcycle chase scene and credits of the movie. Hats off to Shoji Yamashiro.

The voice acting is good, but not great. I feel that the original dubbing job used voice actors much better suited to their animated counterparts. For example, Kaneda’s original voice actor fit his attitude well, as his voice had the same inflection and as a teenage boy’s does. The new voice actor, however, sounds like an adult trying to speak like a teenager. Tetsuo?s voice sometimes sounds a little off too, as the inflection in his words do not always coincide with the action on screen There is no mention of the original script or dub however, but there is a small interview with the English voice actors of Kaneda, Tetsuo, and Kei.

The extras on this DVD are excellent, with detailed information on how the music was created, the voice actors of both the English and Japanese scripts, and it also holds about 4,500 stills from the movie and the entire movie’s storyboard. The menus are easy to follow and understand, and contain colorful backgrounds with music-sound bites from the movie.

Overall, this DVD is a must have for any Sci-fi or animation fan. It shows the best of what anime has to offer. You will never forget the magnificent story, or the unforgettable characters that make this movie a classic, inside and outside of anime.

Remember though, this movie is NOT for young children and the squeamish. If your child is under the age of fifteen, or if you do not like the sight of blood and body parts, the movie is probably not for you.

Everything Falls Down5
Akira is most frequently designated as one of the seminal anime films, like ‘Ghost in the Shell,’ which have done much to define the potential of the Japanese genre. By the making of this film, ‘Akira’ was already as very popular manga (by Katsuhiro Otomo). Its theme is one that recurs frequently in anime, the good and the bad of human ‘evolution.’

Neo Tokyo is Tokyo reborn on the ashes of the devastation of the next world war. Set in 2019, the city is already large, crowded, and apparently thriving. Yet, as you look at the details of this superbly animated film, it becomes obvious that something is seriously wrong. Discontent has fueled a rising level of social violent, motorcycle gangs make war on the streets, and if one listens carefully, one hears rumors about ‘Akira, a savior who wields tremendous powers.

Kanada and Tetsuo are bike gangers, friends since childhood. When a conflict with the clown gang turns ultra-rough, Tetsuo is injured, just as the appearance of a child-like stranger brings the army down on everyone. Tetsuo is carted off to a secret facility where the ‘examinations’ trigger the development of mental powers. Enraged by years of powerlessness, and fury at his captors Tetsuo uses his powers to search for Akira, leaving a massive trail of destruction through Neo Tokyo.

Kanada, the authorities, and a mysterious group of children struggle to prevent the impending apocalypse, but it is clear from the beginning that nothing will be left unchanged in a demonstration of the risks of granting powers to those who are not ready for them

‘Akira’ is an example of the power of animation, so finely grained that, wherever the eye rests, there is something to consider. While it still relies on non-stop action to carry it through, the characters, drawn from the dark side of the city are equally vivid. Typical of anime, the film drops the viewer into a whirlwind with little or no preparation, but I don’t really think the plot of the film is particularly hard to understand. One simply needs to ride with the action, and things gradually become clear.

Amazon.com essential video
Artist-writer Katsuhiro Ôtomo began telling the story of Akira as a comic book series in 1982 but took a break from 1986 to 1988 to write, direct, supervise, and design this animated film version. Set in 2019, the film richly imagines the new metropolis of Neo-Tokyo, which is designed from huge buildings down to the smallest details of passing vehicles or police uniforms. Two disaffected orphan teenagers–slight, resentful Tetsuo and confident, breezy Kaneda–run with a biker gang, but trouble grows when Tetsuo start to resent the way Kaneda always has to rescue him. Meanwhile, a group of scientists, military men, and politicians wonder what to do with a collection of withered children who possess enormous psychic powers, especially the mysterious, rarely seen Akira, whose awakening might well have caused the end of the old world. Tetsuo is visited by the children, who trigger the growth of psychic and physical powers that might make him a superman or a supermonster. As befits a distillation of 1,318 pages of the story so far, Akira is overstuffed with character, incident, and detail. However, it piles up astonishing set pieces: the chases and shootouts (amazingly kinetic, amazingly bloody) benefit from minute cartoon detail that extends to the surprised or shocked faces of the tiniest extra; the Tetsuo monster alternately looks like a billion-gallon scrotal sac or a Tex Avery mutation of the monster from The Quatermass Experiment; and the finale–which combines flashbacks to more innocent days with a destruction of Neo City and the creation of a new universe–is one of the most mind-bending in all sci-fi cinema. –Kim Newman

Additional features
Katsuhiro Ôtomo’s Akira is often described as the movie that created a mass audience for Japanese animation in America. Akira looks better now in this remastered DVD than it did on its original release: dust, dirt, and scratches have been digitally removed and the color has been rebalanced. It also makes more sense in a new translation. The ending still leaves many questions unanswered (which is not unusual in anime), but the convoluted plot is easier to follow than it was in the initial English version. –Charles Solomon

Rogers, Roy Double Feature: Cowboy and the Senorita 1944 / Under Nevada Skies 1946 Discount.

Friday, August 27th, 2010

Rogers, Roy Double Feature: Cowboy and the Senorita 1944 / Under Nevada Skies 1946

Rogers, Roy Double Feature: Cowboy and the Senorita 1944 / Under Nevada Skies 1946 Discount.

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Rogers, Roy Double Feature: Cowboy and the Senorita 1944 / Under Nevada Skies 1946 Description:

King of the cowboys Roy Rogers rides the range in two classic westerns.

  • Amazon Sales Rank: #198869 in DVD
  • Released on: 2009-11-24
  • Rating: NR (Not Rated)
  • Aspect ratio: 1.33:1
  • Formats: Black & White, DVD, NTSC
  • Original language: English
  • Number of discs: 1
  • Running time: 122 minutes

Customer Reviews:

Buy Gutterballs Ws Unct At Amazon!

Friday, August 27th, 2010

Gutterballs Ws Unct

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List Price: $19.99

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Gutterballs Ws Unct Description:

From the director of LIVE FEED comes the most outrageous, gross-out flick of the year! A brutally sadistic rape leads to a series of bizarre gory murders during a midnight disco bowl-a-rama at a popular bowling alley. One by one, players of two teams meet blood-drenched gruesome deaths at the hand of a black bowling-gloved masked killer. This alley will run red with blood by sunrise and the shocking twist that reveals the killer will shock even the most jaded viewer!

  • Amazon Sales Rank: #11017 in DVD
  • Released on: 2009-01-27
  • Rating: Unrated
  • Aspect ratio: 1.78:1
  • Formats: Closed-captioned, Color, Dolby, DVD, NTSC, Widescreen
  • Original language: English
  • Number of discs: 1
  • Running time: 96 minutes

Customer Reviews:

9 pins short of a strike3
Flashing back to the glory days of gory days, “Gutterballs” reworks a classic 80’s teen-slasher formula and drops it into a bowling alley. Shot with a cast of unknowns, crappy lighting and cliched dialogue, “Gutterballs” looks and feels like it was flashed forward from 1982.

However, there is one notable exception. “Gutterballs” amps the sexual violence way past the norm with a near eight minute graphically sadistic gang rape that sets the rest of the movie into motion. It will repulse you and frankly, it sets “Gutterballs” close to a level of grindhouse porn. But then again, one of the first things you see is an eventual victim bending over in her oh-so-short skirt and exposing her camel-toe. The film does have ‘gutter’ in the title, and it more than lives up to its name.

Like all z-grade horror, there’s a batch of (over the top) teens in some sort of conflict, and this time it’s a pair of bowling team o’teens set up for an after-hours grudge match. Our hottie gets attacked before everyone shows up, but has something more in mind than calling the cops. When the opposing sides are gathered, suddenly the bowling alley is mysteriously chained shut and the grisly body counts and naked bodies start to mount. There’s plenty of inventive murder effects to be had in “Gutterballs,” with one of the first being a couple smothered during (again, borderline pornographic) 69 in a restroom.

If it weren’t for the fact that the action is so far past the pale, “Gutterballs” would be an utter failure. The cast rates barely past high-school improv and the script – well, my guess is the only things really plotted were the rapes and kills. Otherwise, there’s about a page or meaningful dialogue to be cobbled away from the inane spewing of profanity and sex. There’s probably more f–ks blurted out in “Gutterballs” than there was in Scarface, and that’s saying something.

Is “Gutterballs” cheap and cheesy, slick and sleazy? Heck yes. Although I must admit, the ending did catch me off guard by about one third, so maybe pure gorehounds might get a kick from the naked boobies and the sexual violence. I can even say I liked this more than Hostel II, so if you thought those were too tame, then “Gutterballs” is up your alley.

You Sick Sick Bowling Monkey3
Gutterballs is beautiful, it’s savage, gory and nasty in the worst, and best, way imaginable. If Ryan Nicholson had made Gutterballs twenty-five years ago this film would be hailed today as “disgusting,” “disturbing” and “controversial.” It would have been lumped in with amazing exploitation horror like Maniac, The Texas Chain Saw Massacre, The Last House on the Left, I Spit On Your Grave, Friday The 13th and Cannibal Holocaust. Gutterballs would have been a video nasties candidate through and through; something this grotesque only comes around every so often.

Now, I’m not going to sit around and pontificate about the raw exploitation on display in this film, if you don’t know what you’re getting into after the first fifteen minutes you’re not paying close enough attention. Nicholson, in my opinion, has crafted himself the kind of sick little underground gem that’s going to have goremongers stealing from their grandmother’s purses to purchase.

The acting ranged from OKAY to bad to HORRIBLE which isn’t really a turn-off for me considering I’m a fan of 70’s exploitation. If you’re expecting stellar acting from a film called “Gutterballs” you’re DEFINITELY not paying attention. I was just happy the actors could walk, talk and blink their eyes at the same time! The real draw here is gonna be the possibility of nudity and, like any good slasher film, a major body count and, thankfully, Nicholson & Company don’t disappoint! We get some nifty nudity and some of the best gore and kill sequences I’ve seen in years. Everything about this film was over-the-top and uncalled for…and that’s a good thing indeed.

Save your money2
The film had some great scenes of violence. The 69 death scene was great. The rest of the film was very boring. The script was written with the F word in it and nothing else. It got so annoying when all you heard was the F word every second. I’ve never seen a movie that had so many F bombs. It seems the script was written by some punk high school kid that doesn’t know how to create dialoge. So, they just litter the movie with F bombs. I would say rent the movie just to see the death scenes but, that’s about it.

Review
“It’s pure balls to the wall entertainment! You’re guaranteed to have some fun.” –Horror-fanatics.com

Review
“A fun, sick as hell joy ride!” –Fatally-yours.com

Review
“Blood, guts, sex and bowling, what else is better in this world?” –Evil Dread